What literary pilgrimages have you gone on?
I was hooked on Italian Renaissance studies, but it was Benvenuto Cellini’s The Autobiography of Benvenuto Cellini, an intimate yet exuberant portrait of his life and his interactions with his artist contemporaries, that propelled me to visit Florence and Rome on my first grand tour of Europe. And seeing Keats’ and Shelley’s graves in the Protestant Cemetery in Rome was a bonus. 
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What is the first book that made you cry?
Watership Down

What is your writing Kryptonite?
Excessive editing. However, I have an excuse. I have had so many stops and starts in writing my books, that each time I went back to writing, I had to reread the work from the start each time to put me back into the thick of the story, and editing on each read was impossible to avoid.

Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?
I have a two-part series, but each book stands alone. I feel like I have resolved the characters’ journeys (although I left the second book open ended enough, just in case – one can’t help oneself). But my new works will be quite different and not related to Theft By Chocolate and Theft Between the Rains or their characters, but still have a mystery aspect to them.

How did publishing your first book change your process of writing?
Before I wrote Theft By Chocolate, I took a course on how to write your first novel, so I was required to write back stories for characters and develop a full outline as well as chapter outlines. I then wrote the first draft in a creative writing program where my mentor was editing and critiquing my work as I wrote it.  With the sequel, Theft Between the Rains, I already knew most of my characters very well. But I decided to develop the plot as I went along and I felt it allowed much more creativity in terms of the plot line and I was much more open to new inspirations and ideas.

As a writer, what would you choose as your mascot/avatar/spirit animal?
A griffin, because of its strength, powers of sight, and being emblematic of poetic and spiritual inspiration. It would be a win-win to have this half-lion, half-eagle mythic creature in my corner.

What did you edit out of your books? (keep it family-friendly, please).
There was a lot of self-indulgent scenes drawn from my own life that added nothing to plot or character development.

What one thing would you give up to become a better writer?
I wouldn’t sell my soul to be anything other than my authentic self. I surrendered to the notion that I would never write the next great Canadian novel and I am more than satisfied that only I can tell the stories that I tell in the way that I do. And that’s the best any writer can do.

What is your favorite childhood book?
I had the most fabulous book of fairy tales and it is long lost. I have no idea what it was called, if it was one writer or a collection of writers. I can’t even remember how I got it or who may have given it to me. They were very different fairy tale stories, complex and intricate and I will always cherish the memory of reading them.

What is the most difficult part of your writing process?
Writing in times when coping with personal challenges.

What is the easiest part of your writing process?
Apparently, nothing, as I pondered this question for some time without coming up with an answer. But just because the process might be challenging does not mean it’s not enjoyable or satisfying or the most wonderful thing in the world.

A common misconception entwined with authors is that they are socially inept, how true is that?
I’m an introvert and shy, but because of my writer’s inquisitiveness, I am able to keep a conversation going better and longer than most – I do find it draining though, because I’m an introvert and shy!

When did it dawn on you that you wanted to be an author?
When I read Sophie Kinsella’s Confessions of a Shopaholic, it dawned on me that I could write a light-hearted and entertaining book that people might enjoy.

Who are your biggest literary influences?
In terms of tone, Sophie Kinsella and Helen Fielding. But I feel like I draw on everything to which I am exposed, especially film.

What’s your favorite movie which was based on a book?  Why?
Dr. Zhivago – David Lean created a masterpiece of a film out of a masterpiece of Boris Pasternak’s book and I think it is one of the most epic love stories ever written (and set in a fascinating historical time) and brought to the screen. Honorable mention goes to Romeo and Juliet, the 1968 version by Franco Zeffirelli.
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How did it feel when your first book got published? How did you celebrate?
It was exhilarating and incredibly challenging at the same time. Tragically, my father passed the week it was published and I had to soldier on promoting the book while in a state of grief. My father never got to read it, hear me read it, or see the dedication I wrote to him and my mother. I just have to trust that he sees, from another plane, my life and stories unfolding.

What is that one thing you think readers generally don’t know about authors?
The most important characteristics for a writer are determination and persistence. There are so many talented writers, but those who see their work find the light of day are those who don’t give up. I would also add that, although earning an income from writing is a bonus and a gift, if you put pen to paper only with the intention of a financial payoff, it might not be the right profession for you.  There’s a reason why writers are called creators and not entrepreneurs.

When it comes to research for your books, are you a hunter or a gatherer? Talk about your research process.
I’m a hunter-gatherer. There are times when things fall into my lap (or should I say head) and other times when I specifically hunt for information. I use the Internet extensively to flesh out storylines, but ideas can be inspired by the most unexpected things, and sometimes by very mundane occurrences.

Could you be housemates with your characters? Why or why not?
A definite no. I have lived on my own for decades and I would have it no other way. They’ll have to stay in my head.

What’s your typical writing routine or schedule?
I can honestly say I do not have a routine. Maybe that’s why there was 8 years in between my two books! But I used to be hard on myself because my writing was not structured into my life, that is until I heard a writer, sorry can’t remember who it was, who said something to the effect that life interrupting a writer’s path is part of what informs that writer’s work. I have an intrinsic conviction that a book is written exactly when it needs to be written and I’ve stopped beating myself up for not being structured with my creative process.

Writing can be an emotionally draining and stressful pursuit.  How do you recharge?
When there isn’t a global pandemic, world travel has always been an important recharger and I particularly love going to yoga retreats in exotic locations like Iceland and Costa Rica. But, on a regular basis, global crisis or not, I practice yoga many times a week and meditate. Also enjoying other art forms like film, theatre, and music feed both my body and soul.

Do you prefer music or silence when you write?  Do you have a writing playlist?  What’s on it?
This doesn’t make any sense on any level, but I find music too distracting, but not TV. For some reason I can tune out TV more than music, but still benefit from a kind of white noise from the television. But, I definitely spend a lot of time writing in silence.

Which celebrity would you choose to narrate your audiobook?
Cate Blanchett or Emma Thompson. Need I say more?

What well-known author, living or dead, do you wish could be your mentor? Why?
I couldn’t have asked for a better mentor than my actual mentor, Canadian writer Kim Moritsugu. She was my mentor when I did my creative writing program at Toronto’s Humber School of Writers. Her advice has always been spot-on, and she has always gone beyond the call of duty and expiration date to mentor me. She’s played such an important role in my development as a writer and she continues to support me.

What is your favorite of the six senses (touch, taste, smell, sound, sight, intuition) to write about, why?
Well, chocolate has been a significant motif in my two books, so I would have to say taste. There’s something very pleasurable about describing the way something tastes and I think I’ve done a reasonable job of it, because I am often told by my readers that they find it impossible to read my books without reaching for some chocolate.

What is a favorite location you’ve written about?  Have you visited that place?  How did you choose which details to include?
I can’t pick just one. In Theft Between the Rains I wrote about two little-known places in Toronto that are both extraordinary in their own way. The first is an art deco edifice in Toronto, the R.C. Harris Water Treatment Plant. And the second is a ghost subway station in the city. By that I mean a subway platform that was built, but closed down shortly afterwards and these days is only used for film shoots. I had the privilege of visiting both locations during an annual event in Toronto called Doors Open Toronto, where spaces like this, normally closed to the public, are made accessible for one or two days a year. As far as the elements I decided to include in my scenes, I focused on what made these spaces unique and also on specifics that were in some way relevant to or progressed the plot.

Travel back in time (without negative effects for you or the timeline) what year do you visit? Why?
As a former student of the Italian Renaissance, it would have to be 1500 Italy, which is a pivotal year in the High Renaissance and when some of the most creative and artistic minds were alive. It was a time when art and science were not divided as they are in our age. It was a perfect marriage that should never have been dissolved, in my humble opinion.

What is something about your hero or villain that drove their character, but you didn’t specifically tell your reader?
I didn’t spell it out, but I hope it becomes evident to readers that my protagonist, though flighty and capricious, is far more capable than she ever gave herself credit for and all she was lacking was some confidence (which she does develop).

Have you ever resuscitated a project you'd shelved? What helped it work better the second time around?
I haven’t done so to date, but I am on the verge of doing so as I resurrect an old screenplay I wrote some time ago…and I can’t wait. Screenplays are more impressionistic than novels and I am excited to flesh out and add details to the plot, settings and characters in this paranormal love story.

What do the words “literary success” mean to you? How do you picture it?
My idea of literary success is leaving a body of work in which you see a progression of your art and craft and which, in some way make an impact, no matter how small, on the heart and soul of readers and, in the best-case scenario, on the planet in terms of raising awareness and consciousness. Is that too ambitious?

Can you tell us about your current projects?
I’m currently focusing on marketing my newest book, Theft Between the Rains, but soon hope to get to that paranormal love story as well as to a tale of a woman experiencing illness, loss, and searching for her dharma and spiritual connection. I’m going to try to work on both books concurrently as the one work, in particular, will be cathartic.

Any advice you would like to give to aspiring authors?
Write because that’s what your soul dictates, develop a thick skin, and don’t give up. Every story deserves a reader. And most importantly, don’t worry about the number of readers you might get. Writing is an expressive art form, plain and simple.

Please provide links and/or instructions about how readers can purchase signed copies of your books. 
Links for purchasing my books can be found on the home page of my web site: https://lubalesychyn.com/

What literary pilgrimages have you gone on?
Funny, I have not on purpose. I do find many places I go end up being part of such a fun adventure. From where Dillinger was shot (Bloodletters and Badmen) to dozens of war museums that spark my interest on so many items I have read. While in India I stopped in several places that meant something from one book or another as well as Germany, France, Spain, Italy and so on. No matter where you go there is a spark that can remind you of a book or two, and a spark that will be used in a new book someday.

What is the first book that made you cry?
There are numerous. I believe as a writer you either feel less and are critical of the feelings or feel more. I am the latter and feel deeply, but can turn it off at a whim. I remember crying at numerous books growing up that make no sense now, but at about seven years old I read 20,000 Leagues Under the Sea and cried because Nemo and the incredible ship were lost. I had felt he was misunderstood and it was unfair how he was portrayed.

What is your writing Kryptonite?
I like rereading but I have difficulties catching my own errors. The pace I write at and the pace my books set for reading has proven difficult for numerous editors as well always letting a few slip by.

Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?
The answer to this question is Yes. Each of my books offer enough substance to stand alone, but each of the books is part of a series of events tied to Jonathon Michael Masterson (In The Masterson Files) or Adam Derbent (In The Eternal Forever that is in development). I have twelve books lightly plotted for each series. My goal is to allow readers to have a connection with a book but see beyond the single story. An example is I sell many Deadly Daughters because they are set in Michigan, but it leads to additional sales of the series as the characters can call to people.

How did publishing your first book change your process of writing?
I published my first book because several friends loved it so much, they said I should. I sent a few letters and did not hear back so I self-published and it allowed me to use previous skills in other areas to grow and learn. Since I love learning so much it changed the way I approached the process.

As a writer, what would you choose as your mascot/avatar/spirit animal?
This is an interesting question. Being a Chinese Zodiac Tiger one would think I should go there, but there are many animals that call to me. I am surrounded by Eagles and Orca at home as I once read the eagle is one of if not the only bird that flies above the clouds to avoid the rain. That spoke to me. The Oroca on the other hand is the Apex predator of the oceans. (Yes, they kill sharks too) and they have my respect. I think I will go with Orca.

What did you edit out of your books? (keep it family-friendly, please)
Very little. I am not a huge fan of sex in books though I have written Erotica. I am not a huge fan of bad language though my books use language as it would be used in real life. I have dropped some scenes that were too violent. If you read my books you will find it hard to believe.

What one thing would you give up to become a better writer?
I am not sure I understand the question. (Yes, I am being cute). There are numerous items I would set aside to write but I feel “giving something up” restricts imagination. I am not a fan of that.

What is your favorite childhood book?
Danny and the Dinosaur was my favorite early book. I read a lot of weird things though as I grew up and the books changed almost weekly. I read the encyclopedias often (Britannica and World Book) and had memorized a significant number of books on trigonometry and calculus by the time I was twelve. I still remember a lot of it but I don’t use it as much as I thought I would then.

What is the most difficult part of your writing process?
Staying on point. I should be writing now and instead I am answering these questions. I am far worse than a squirrel and always looking for a challenge. As such I change gears a great deal.

What is the easiest part of your writing process?
The story is the easiest part. I have a pretty clear idea of where I want to go and it flows. I wrote the first book in about a month and then edited forever. I have completed a book easily every Nanowrimo usually pretty early as it puts me in a heads down mode.

A common misconception entwined with authors is that they are socially inept, how true is that?
Well, that is a complex question and answer. I know many authors that are quite socially inept. After talking and listening (You would be amazed how much you learn by listening) I feel that many that seem socially inept are either far ahead or far behind the group in their understanding of human dynamics and interactions. In that light I know some authors that are genius level and have trouble relating to people easily, and some that are so set in their viewpoints that they again have trouble relating. I do know that once an author opens up you can learn a lot if you listen to hear and not to answer. As far as me, I have no social conscience and scare the daylights out of most people, let alone authors. I have found though that if I adapt to their level it is usually a good interaction and any social stigmas (with me at least) fall away.

When did it dawn on you that you wanted to be an author?
I have listened to so many people talk about how they wrote at five, six, seven, or eight and how they just knew. I had a vivid imagination and wrote many stories but I lost my peers easily and had few friends. My early life was moving at least once a year, so I had no roots, no teacher watching over me, and when I would be identified as talented I would soon be gone. I finally decided for real when I was fifteen and started writing stories on paper, then paused until just a few years ago to finish my first actual book and build on it from there.

Who are your biggest literary influences?
Good question. I have a lot of books. I love Hitchcock, but much of what he has is from smaller authors published under his anthologies. I love De Maupassant, and Verne, a Trevanian, and Cussler, and Paterson, and TJ Bass, and a ton of authors you may never have heard of. Piers Anthony was my favorite for a while, then Dean Koontz so it would be hard to say just one. (I also like Shakespeare but who doesn’t, right?)

What’s your favorite movie which was based on a book?  Why?
I would have to go with 20,000 Leagues under the Sea again. I think I have seen every adaptation and like them all. (There are a lot). (Oh and the book The Secret Sea is a great follow up to it that few people have read. It would make an astounding movie.

How did it feel when your first book got published? How did you celebrate?
I ate at Chili's and had a ton of fun!

What is that one thing you think readers generally don’t know about authors?
I think the biggest thing is the time. I have many friends and readers that ask for a free book, and sometimes I give it to them. I don’t think they understand how deep that is. When an author writes a book it is usually about two months of work (Well for me) which translates to about 320 man hours or even at minimum wage a big dollar investment. Some books are far more considerable and after all is said and done I would estimate that not only am I giving away a piece of my heart but also a piece of about $10,000 in time and cost investment. True, this is different for each author, but when you consider, it is a very special gift, and a very big thing to ask.

When it comes to research for your books, are you a hunter or a gatherer? Talk about your research process.
It depends. On many items I write about I am an expert. (No I am not patting myself on the back) All of the weapons in my books I have used in one way or another, and many of the techniques.(I have also helped many people with historical weapons from matchlock to flintlock and beyond even though I rarely write about them) For some items I have knowledge but for others I do considerable research to make sure everything is accurate. I check myself as well. In my first book, for example, The Lucky Scotsman was a different plane but I needed the plane to be able to fly to North Korea. The plane I picked would not easily. I researched and called a few friends to determine the best place for the job and thus the happy Scotman became a C130J.

Could you be housemates with your characters? Why or why not?
It would be a funny group. My heroes and antiheros are very different. Jonathon Michael Masterson and I would get along really well, though he would tell me I am fat and push me to be better. Alan Spears and I would talk dogs far too much, and I would tell so many Jokes with Jim Simpson that we would fall to the ground giggling.

What’s your typical writing routine or schedule?
After all other sleep I write. Usually from ten to whenever in the morning. It depends. Sometimes I read instead. It is all based on what I feel at the moment.

Writing can be an emotionally draining and stressful pursuit.  How do you recharge?
My recharge is easy. A good sunset, playing with the dogs, shooting, taking pictures, or one of a dozen other hobbies. I enjoy all forms of sheer fun.

Do you prefer music or silence when you write?  Do you have a writing playlist?  What’s on it?
I prefer silence. I get lost translating the words and emotions in music and it is more of a distraction than a positive influence. As I answer these questions all I hear is the spinning of a hard drive in the cradle next to my near silent computer.

Which celebrity would you choose to narrate your audiobook?
So many good audio voices. William Shatner is awesome in his narration, so was Leonard Nimoy. I think it would be fun to have Dwayne Johnson read my books though. Wonder if he can raise his eyebrow by tone inflection alone.

What well-known author, living or dead, do you wish could be your mentor? Why?
I would have fun with Stephen King I think but I hear he is not a very nice person. I love his short stories and I too have a lot of short stories that are very macabre. So I guess I would go with Dean Koontz because he writes on the edge and has a fun rhythm.

What is your favorite of the six senses (touch, taste, smell, sound, sight, intuition) to write about, why?
I am not sure I have a favorite. I like the idea of touch and use it a lot, but many of the things I play upon are more complex emotions and fall more into six and seven. How do you get your reader to feel, in my opinion you give them an affinity for the character and bind them emotionally.

What is a favorite location you’ve written about?  Have you visited that place?  How did you choose which details to include?
I like Ivel, Kentucky and Paris, France for different reasons. Ivel is a small town in eastern Kentucky and you could breathe and miss it. Those small towns have people with deep hearts and even deeper souls. My main character chose it because he knew if he was accepted in the area he would be far safer than in any city. Paris was different. Everyone should visit Paris once and then burn the tee shirt and go on. It is a fantastic adventure, but it is somewhat hollow unless you go into the lesser known areas like Willi’s Wine Bar. I chose minimal details because the scene was complex and about an assassination, still, the flavor was there.

Travel back in time (without negative effects for you or the timeline) what year do you visit? Why?
I would go back to 1981. I know, a weird time perhaps. I would go to Big Rapids, Michigan and visit my Grandmother and Grandfather and tell them how important they were to me and how much I loved them. They gave me the only stable home I ever had, and gave me guidance on how to be a good person when all my other influences set me on a path that could have been quite horrible.

What is something about your hero or villain that drove their character, but you didn’t specifically tell your reader?
I slowly am spelling out more and more on Jonathon Michael Matterson’s past and as I do it becomes more evident that he is torn between the stoic nature his father taught him and the more passionate nature his mother taught.

Have you ever resuscitated a project you'd shelved? What helped it work better the second time around?
Yes, I am working on several older projects that I will finish now. My secret now is to approach the projects in a more linear fashion to get them done.

What do the words “literary success” mean to you? How do you picture it?
For me a success is going somewhere and having someone tell me they loved my books. I eat at a small diner in North Muskegon, and I have had several people come up and say, “you’re that author guy” and want to talk about my books. It is super. As great was when my son and daughters read them and said how much they liked them.

Can you tell us about your current projects?
Eeek. (Yes, that is spelled right) I am currently working on the next Masterson Files book, Fearless Cousin. I am also working on Adam, book one of The Eternal Forever. Numerous short stories and a few back works I intend to finish before 2021 end of year.

Any advice you would like to give to aspiring authors?
Write. Feel your passion. Be like the Carpenters song and don’t worry if its not good enough for anyone else to read, just write. It will come. Oh, and ask for help. There are lots of people like me who will help you out if you just ask.

Please provide links and/or instructions about how readers can purchase signed copies of your books.
Signed copies can be ordered at : http://www.29000sunsets.com/2018-wall-calendar/books
(Yes, weird URL, but it works well!)

"This is a strong story about two extremely important topics; stuttering and bullying.  Written from the perspective of an eight-grade student, the story shines a light on the perils of navigating the social uncertainties of that last year of middle school.  The complexities of pre-teen social anxieties as well as the pressures of living up to parental expectations are at the core of this emotionally driven story.  I thought the author handled the topics well, and with gentle support for any young person going through these difficult years.

However, after reading the book, I felt that it would be better read by parents, as an insightful window into their young person's life, rather than a story that students should read themselves.  There is a lot of time spent on negative actions of teens, and few pages to dissuade students from these behaviors.  It's not until near the end of the book that the consequences really come home to roost for the teens, and to my mind, it all passes too quickly, with little conversation about the upheaval one's behavior can cause one's own future, and the family dynamic.  For me, the poor choices made by the main character were too quickly forgotten, and the happily ever after ending" too easily achieved.  

It is, though, a wonderful opportunity for parents, counselors, and teachers to gain a perhaps long-overlooked perspective on how students often feel persecuted and unheard.  And for that message, alone, I think that this is a story that should be shared.

Watch the author reading from this book during our Autumn Book Festival!

This is an interesting collection of poetry and short stories, each with a very particular perspective on American Life.  These are not representative of a study in the sociology of American Culture, per se... but rather, several  moments of thought expressed through the viewpoint of an "unrepentantly average" American.

Although the poetry doesn't resonate with me... few poets' work does... I was intrigued by the short stories.  The range of moments selected was curious to me.  These are not topics I would have considered writing about, and I think that's why this collection is unique.  These shorts are indicative of things we rarely think of, and they remind of the "background" of what Americana can be: singular wounds with added salt. 

​These are not the larger than life moments news broadcasters notice.  They are the moments that stop time, that remind us of a different era, that end as life frequently does - mostly without clear resolution.

Having said that, I was frustrated with the final piece in the collection, Saying Goodbye To Baby Blue.  I found myself drawn in to the narrative, and quickly became interested in the main character.  I thought the backstory was well crafted and the set up for a revelation or perhaps a dramatic let down, beguiling.  However, the ending lacked a payoff.  Neither was I disheartened by the character's own sense of loss, nor uplifted by the progression of time.  The end left me at odds... and perhaps that was the point... but it left me feeling as if I'd read a first draft of a deeper work.  I'd like to see more done with this piece.

Of all the short stories, the one that pulled out front of the rest, for me, was A Slice of American Pie.  Slightly dystopic, and a bit of a political commentary, I found this story to be more familiar than made me comfortable.  The details could have been pulled from recent headlines, or last season's contrived reality television... or off the table of a Tarot Card reader's prognostication.  Eerie in it's refusal to make an apology, I found the ending reminiscent of a welded rivet against the backdrop of American steel and it's often times questionable values.  The psychological twist made the story well worth its pages.

Since I was thirteen years old, I've been keeping a journal.  I was first inspired by Anne Frank, and then I came to recognize that journaling is a good tool for fine-tuning the practices of self-evaluation, empathy, and intuitive thinking.  For years I've kept journals, and they've come in many different forms.  Some were a collection of brain dumps, some were writing a page based on a particular prompt, and others were bullet journals or lists, kept electronically.  Time and again, I return to journaling because I find it a useful way to empty my brain, take my own inventory, and plan for the days ahead.

Angela's List Your Life is subtitled, A Modern-Day Memoir, and I can certainly see the similarity.  Her approach is a wondrous hybrid of several journaling techniques, wrapped up into a single source where you can list your ideas, prompt your memory, and stir emotions, all while she sits beside you, offering her personal thoughts, memories, and experiences of a life well-lived.  In fact, if you're interested in writing your own memoir, Angela is a waterfall of inspiration, she shares her story with you, as she also encourages you to write your own.  Through reading this book, you will tell your story as only you can, and you'll feel the comfort of having a partner in the process. 

If you've never kept a journal before, I recommend this book as a first step to what could be a life of storytelling.

We all struggle at one point or another (sometimes at several points in our lives) with the frustrations of fitting into a peer group, understanding our own internal thought processes, and building self-esteem.  This book opens doors to these lifelong conversations when it's most important - during early childhood.  Starting a dialogue about difficult issues benefits children, teachers, and parents.  This book is a fantastic facilitator of that conversation.

Touching on subjects such as ADHD, bullying, mood disorders, physical challenges, and a sense of genuine friendship through sharing and inclusion... this beautiful book is kind, supportive, and non-judgmental in its reminders of the strength of others and the rich tapestries of our differences.

The unique artistry found inside the pages is not to be missed.  Vibrant paper mosaics illustrating children of all ages, and in diverse situations, adds to the outreach of the book's message.  Although this may be a mental health primer, the artwork reaches across all age groups, and invites discussion of difficult topics.  The art relaxes the reader, and helps build a bridge between concept and conversation.

I can certainly see this book as a positive conversation starter inside multi-generational families, with teachers and counselors, and as an outreach tool for community service groups.  It is my hope that future books will focus on specific areas, and expand the conversational opportunities.

So, looking at the cover, you might not know what to expect... or your imagination might get it, and your brain might say, "How are they going to pull this off?"  Well, either way, you'll be taken on a ride you won't soon forget.  The collaboration of these writers and illustrators is fantastic.  Its a fun romp, melding western and zombie genres, and with each gruesome death, a shout out to the power of feminism.  

There is nothing "expected" about the pages of this graphic novella.  The story doesn't begin at the beginning; it actually starts someplace in the middle.  The plot development doesn't follow the traditional ebb and flow and climactic precipice... instead, the authors dangle you precariously off the shingles of a rickety building, while your blood trickles into the mouths of friends and enemies, alike.

I've enjoyed everything I've read from Peggy Christie, and I'm grateful that she has now introduced me to David C. Hayes and a tremendously talented gaggle of illustrators.  There are seven severely disturbed artists that have lent their twisted sense of continuity to this story, and the work is better for it.  This is truly a work of genuine collaboration; and it makes me want to ask the question, "Did the words come first, directing the art... or did the art give birth to the words?" 

You can be certain that is a conversation we'll be having at our next festival.

This is horror of the absurd.  And you need to read it... if for no other reason than to cleanse your palate clean from all the predictable zombie stuff that's so prevalent right now in television... But mostly because it is fun and creative writing.

Watch Peggy Christie on an episode of Indie Reads TV
Watch Peggy Christie's interview from our June 2020 Virtual Book Festival

Getting Started
In preparation for the October Virtual Book Festival, I read three very distinctive works by Chavonne D. Stewart.  First up, her chapbook, Getting Started: A Quick Guide To Become A Self-Published Author. 

As an Indie Author of nine books of varying genres, and several more in process, an editor of over 80 books, and a writing workshop instructor, I am always interested in another author's journey.  I believe we should never stop learning from one another, and help each other to find the "tips and tricks" that work best for us.  Being part of the Indie Writing Community is incredibly valuable to my writing process; and I'm  open to new ideas and approaches to the craft and business of writing.

However, I was disappointed with Chavonne's offering on this topic.  As her biography describes her as a life coach who holds multiple degrees (MS in Management, BA in History, and currently a PhD Philosophy candidate), and she is the CEO of her own business, my expectations for content and professionalism were beyond the scope of this chapbook.  

This is an elementary approach to the topic, and reads more like a blog post than a helpful guide.  It is scant on details, and offers no real "meat" or actionable steps that aspiring authors can embrace and move forward with their goal.  A great overview, to be sure, but not much more than that.

Even more troubling was the large number of editorial errors, as well as formatting problems within the twenty-two pages.  This begs the question, what of her other work?  So I went on to read an essay included in an anthology, "Dear Depression".

The Search For Purpose
Included in an anthology on the topic of depression, Chavonne's essay was lost on me.  The words didn't truly address depression, or purpose.  The paragraphs "talked around" the idea of discovering purpose and how to manifest greater awareness of a purposeful life.  I understand that she experienced a journey that was ardous and exciting, but after reading this essay, I still don't know what her purpose is, how she discovered it, or how she practices and evolves her purpose for a more fulfilled life.  It was a frustrating read.  Also, there were editorial and formatting issues; but I would rest those responsibilities with those that compiled the book, not with the individual authors.

The Adventures of Amilya Rose: The Lie
At last, I turned to Chavonne's children's work, to discover if perhaps, this is where her literary calling lies.  I was pleased to see that she indeed has a strong voice for young people.  The story of eight-year-old Amilya, and how she takes risks, achieves a goal, and learns a valuable lesson, is commendable. 

The story, told in Amilya's voice, brings children into the adventure of walking to daycare from school, on an unusual snow day in Georgia.  Seeing the thought process of a young girl, as she designs an adventure, makes mistakes, and learns from them, I believe, was a strong choice for the narration of this piece. 

Certainly, children will relate to the excitement, dread, relief, and understanding that Amilya shares.  This book teaches the importance of honesty and honoring adults in a way that doesn't belittle or berate children.

I enjoyed the artwork.  The illustrations are imaginative and vibrant.  I wish there were more of them!

I read this as an e-book from Kindle, and noticed some formatting issues... the illustrations did not take up a full page, and that would have been far more appealing... but that could have easily been a comparability issue with my device, rather than the fault of the interior design.

This is a book that includes lessons of morality, gently reminding children that  sometimes parents' lessons might be difficult, but they are offered out of kindness and concern, with forgiveness to soften the hard parts.

​What literary pilgrimages have you gone on?I have two basic types of literary pilgrimages. Though I am no longer married, I went to London on my honeymoon. I toured Westminster Abbey, saw Poet’s Corner. Greats like Chaucer, Spenser, Tennyson, Browning, and Dickens are buried there. John Dryden, Charles II’s poet laureate (King Charles plays a large part in my historical romance, Arden’s Act), and William Davenant—who’s actually a character in Arden’s Act, and married a distant relative of mine, Henriette Tromblé—rest there as well. I hope in time to return to England and go to Stratford, where Shakespeare lived and is buried, and also to Dublin, to where Jonathan Swift is interred. I also want to visit Key West and tour Ernest Hemingway’s house. I was never all that excited about Hemingway, but I want to see all the descendants of his polydactyl cats! 
 
But I have another type of literary pilgrimage that is more lighthearted and fun. I love to go and meet my favorite authors when they do book signings. First and foremost among these are Douglas Preston and Lincoln Child, the writing team that created the Pendergast series. They are wonderful, kind gentlemen who allowed me to bring out a work of literary criticism--Apologia Diogenes--on their sexiest villain, Pendergast’s brother Diogenes. I’ve also met Diana Gabaldon who wrote the Outlander books. She is an absolutely brilliant woman, and it is one of my goals to have her put Arden’s Act on her famed “Methadone List.” Want to make my day, or maybe even my career? Compare Arden’s Act to Outlander, and post the review on Amazon!

What is the first book that made you cry?
My mother would tell you I’d cry whenever she read me Mrs. Duck’s Lovely Day, before I could read for myself. It was written by Vivienne Blake, and apparently I used to get really worked up over Mrs. Duck’s little pond shrinking in the drought and the possibility of her not being able to swim any more. I also remember that I actually became hysterical when the teacher read Snow White to us in kindergarten, because I thought Snow White had really died. I could not be consoled, and my parents had to come and get me and take me home from school. I was a pretty weird little kid. When I was a little older, reading for myself, it was Little Women.

What is your writing Kryptonite?
Well, there is the “grand scheme of things” and the actual writing level. In the grand scheme of things, it’s the conflict between taking things in, and putting them out. I love to read, and to watch television. So when I have spare time, I have to decide, do I want to consume something someone else has written, or do I want to get further with my own writing? And the fact that I labeled it “spare time” is also telling. I love my day job, and right now I need it to live, but sometimes it really drains me. Sometimes after work I’ll just want to mess around on Facebook and watch historical miniseries instead of writing. On the more focused level, I have a really difficult time writing realistic economic systems, military strategies, battle scenes, etc. I have this one fantasy project that’s been in my heart for a long time, but what’s believable and practical keeps getting in the way of the plot I want to present. A member of a writer’s group I used to be in said I could get around this by using a kind of fairytale approach; this is probably what I’ll do, but at the same time populate it with characters who are as deeply human as I can make them.

Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?
I want each book to be able to stand on its own, but I want each one to tie into my specific writer’s universe. For instance, Preston and Child have this one character, Eli Glinn, who first showed up in their (at the time) stand-alone novel The Ice Limit, then turned up in two of my favorite Pendergast books, Dance of Death and The Book of the Dead, before playing a pivotal role in the authors’ Gideon Crew series. Preston and Child have other cross-overs in their books as well. At the center of my writer’s universe is a fictionalized version of southeastern Michigan, with the elements of its French heritage heightened and embellished, so that it becomes something like a New Orleans North, or a Montreal South. Sure, someone who has read Arden’s Act might say, “what are you talking about? That’s set in London and Oxfordshire!” And yes, it is, but I’m planning another novel at some point that will feature one of Arden’s descendants living near the St. Clair River during the U.S. Civil War period. Even with the fantasy novel I’ll write eventually, various points of its mythical island continent will correspond to points on both Michigan peninsulas.

How did publishing your first book change your process of writing?
My first book was actually self-published in the pre-CreateSpace/KDP days, when a friend of mine wanted to start a self-publishing business. My first book that was chosen by a small Indie publisher (that has since ceased operations) had more of an effect on me. The only real change to my writing process, however, is that I now spend a lot less time wondering if whatever I’m working on “reads like a real book.”

As a writer, what would you choose as your mascot/avatar/spirit animal?
As a female Leo, I do have an identification with the lioness, and that’s something I think about when I need to have courage. And related to that, I am quite the crazy cat lady. Rita Mae Brown says every writer should have a cat to serve as a Muse, so that’s what I named my first cat—Muse. Dolphins also have meaning for me; I see them as a reminder to always try to have fun with what I’m doing. But—and I can’t really explain why—squirrels seem to come up frequently in my life. That fantasy novel I keep bringing up has always been called The White Squirrel. And I had a co-worker recently who nicknamed me Squirrel Girl. Like you can’t predict which way I’m going to dart in traffic. Writing-wise, it’s like I discover all these little plot-acorns, bury them for the winter, but sometimes I don’t find them again until three winters on down the line. I’ll lose enthusiasm for a project, and get distracted by another. So, yes, I’m going to have to go with squirrel.

What did you edit out of your books? (keep it family-friendly, please)
I wish I were a better content editor. I feel like I probably don’t know enough about what story incidents to cut. I’m a much better proofreader. I go through and I try to weed out as much passive language as possible, as many incidences of “was” and “were” as I can re-structure sentences to eliminate. I try to get rid of repetitive language, when I use the same word to describe something twice on the same page, that kind of thing.

What one thing would you give up to become a better writer?
That’s really difficult. I’m such a hedonist. I don’t like to give up anything! I guess what I do tend to give up, as I’ve touched on before, is being as frequently entertained by the works of others. Also, anyone who publishes their writing gives up a certain level of mental privacy. Your thoughts, in your words, are out there for anyone and everyone to see.

What is your favorite childhood book?
This is such a hard question. There are so many. We’ve already hit upon Mrs. Duck’s Lovely Day, but Little Women had a huge influence on me, with its writer-heroine. I also loved animal books, from realistic ones like Farley’s Black Stallion books, to more fanciful ones like Margery Sharp’s stories about Miss Bianca and Bernard. And then I have to ask, how are we defining childhood? I first read The Lord of the Rings in eighth grade, and it had quite an impact on me. Does that count?

What is the most difficult part of your writing process?
Overcoming inertia. Actually starting and putting words down on a page. I’m fortunate; I once had a job where I had to write for a living, and so I never get writer’s block. But I do get the “I’m lazy and I’d rather read this other book over here that somebody else has written.”

What is the easiest part of your writing process?
Getting ideas. The number of novel ideas I have stored in my brain so far greatly outweighs the time I’ve had to get them written. Inspiration is pretty much everywhere for me.

How long on average does it take you to write a book?
I feel as though I still don’t really know the answer to this. Two of my books are stories I’ve tinkered with for years. Arden’s Act, for instance, took ten years to finish, because I stopped in the middle and wrote a play, kept trying to get short stories published, and just in general kept getting distracted by other projects. On the other hand, Apologia Diogenes took about four or five months, partially because I wanted its release to coincide with Preston and Child’s The Obsidian Chamber. I also just happened to lose my day job, and it gave me great comfort to work on that book while I tried to find another one. I think in the future that I’ll manage to finish projects more quickly, now that I have the option of self-publishing open to me. I still want to have some books with traditional publishers; I think a hybrid publishing career is ideal.

A common misconception entwined with authors is that they are socially inept, how true is that?
For me, it’s kind of a toss up. I’m certainly capable of social faux pas. In a lot of ways, though, it depends on who I’m with. If it’s a bunch of people with whom I have nothing in common, they probably won’t even know I’m there, unless they say something I find so offensive that I stomp off. Among my friends, I like to think a lot of people find me hilarious. I love to make people laugh. Even though the things I write aren’t generally comedic, I think there are glimmers of humor in everything I write. And, of course, I love to make people laugh in person, too.

When did it dawn on you that you wanted to be an author?
When I was nine years old. I had just finished reading the actual Dodie Smith novel, The 101 Dalmatians (as opposed to Disney adaptations for little kids), and couldn’t find a “next book to read” that I thought would measure up. So I started writing one instead.

Who are your biggest literary influences?
It’s quite a bizarre assortment. Louisa May Alcott, Judy Blume, J.R.R. Tolkien, Anne Rice, Diana Gabaldon, Bertrice Small, and Douglas Preston and Lincoln Child.

What’s your favorite movie which was based on a book?  Why?
Is it cheating to say all three of Peter Jackson’s Lord of the Rings films? Why? Because—and to clarify, I mean the extended director’s cuts—what these films got right was done beautifully, and two of the biggest changes they made I feel were changes for the better—Arwen’s greater involvement in the story, and the complete elimination of Tom Bombadil.
How did it feel when your first book got published? How did you celebrate?Each book feels the same. It is a joy to hold the physical book in my hands, to fan through the pages, and see the lines of print. To see my name on the cover. There is usually champagne, or at the very least, French sparkling wine involved.

What is that one thing you think readers generally don’t know about authors?
How little most of them make. Even I continue hanging on to the belief that I will somehow make it into that very small percentage who can live comfortably from their writing.  Also, related, just how difficult it is to get a book noticed and reviewed.

Can you tell us about your current projects?
Right now I’m working on a collection of short stories that I’m going to call Crossings, because each story contains some element of pushing boundaries, transitions from one state of being to another, sliding into taboo behavior or thought. Then I’ll do a re-issue of my young adult title, Confessions of a Mixed-Up Weasel Hater. After that I’ll primarily be working on a novel of contemporary romantic suspense that includes a love quadrangle with two serial killers.

Are you attending any conventions/festivals where readers can meet you and/or buy your books?  Please provide all the “find it” information.
I’m definitely thinking of participating in the 2020 Autumn Virtual Book Festival in October; that will be at http://www.pagespromotions.com/virtual-book-festival.html#/

Please provide links and/or instructions about how readers can purchase signed copies of your books.
You can message me on my Facebook author page, @elizabeththomaswriter, or email me at emthomas63@gmail.com

Any advice you would like to give to aspiring authors?
Read as much as you can, especially in the genres you wish to write. Also, learn the rules of English grammar and composition. It’s okay to break the rules sometimes, but know what rule you are breaking and the reason you are doing it.

In an early, and ambitious project from Author Troy D. Wymer, "Treasures From Afar" is an intriguing story that intersects science fiction, fantasy, and religion.  It's got a little bit of something for nearly every reader.  Rich in the details of a society that has yet to evolve beyond its chronology, the curiosity of how the government aligned itself with religious sects, and then somehow fused their combined dogma into an immature galaxy coalition, makes for an interesting study of human (and alien) nature.

I enjoyed the story, the characters, and the worlds that Troy created.  However, at one-hundred-thirteen pages, I was left wanting much more... I had more questions than the pages could answer.  I wanted more detailed conversations, more tender, romantic bedroom scenes, more despots arguing in the preparation of a war, and more screams of anguish in the heat of battle.  This novella is an excellent beginning to what I hope the author will develop into a long saga, one that unpacks all the tension of decisions made, and secrets kept.  

I was impressed with the timeline provided in the back of the book.  Clearly, there is a lot to this war, this galaxy, and it's inhabitants - they've been around for a while, with a lineage that seems rich and diverse.  I wanted to see all those details in the story, and unfortunately, I was left at a loss.  I would love to know the history of this story.  Perhaps the author will, one day, expand on the novella, and create a series that delves into the layers hidden in between these pages.

I know that Troy has written other books, and they rest patiently on my TBR pile; he and his works will not be forsaken... I can only hope that they expand on this universe and the story that has captured my imagination and left me hungry for more.

Discover more of Troy's work at www.WymerNovels.com.
Watch Troy D. Wymer in an episode of Indie Reads TV.
Watch Troy's interview during our June 2020 Virtual Book Festival